{"id":129,"date":"2017-02-01T17:05:04","date_gmt":"2017-02-01T16:05:04","guid":{"rendered":"http:\/\/sophiepapiau.fr\/wordpress\/?page_id=129"},"modified":"2018-03-08T16:08:20","modified_gmt":"2018-03-08T15:08:20","slug":"murielle-durant-garnier-patrice-oliete-losczos","status":"publish","type":"page","link":"https:\/\/sophiepapiau.fr\/wordpress\/textes\/murielle-durant-garnier-patrice-oliete-losczos\/","title":{"rendered":"La trame de l’intime \/ Murielle Durant G-Patrice Oliete L \/ Fr \/En \/Jp"},"content":{"rendered":"

LA TRAME DE L\u2019INTIME<\/span><\/p>\n

La fa\u00e7on la plus simple d\u2019approcher le travail de Sophie Papiau consiste \u00e0
\nsouligner le rapport privil\u00e9gi\u00e9 qu\u2019il entretient avec le tissu. Ce dernier s\u2019y
\nvoit d\u00e9clin\u00e9 sous les formes les plus diverses et les plus surprenantes :
\noreillers, sculptures molles, toiles incrust\u00e9es d\u2019intumescences textiles\u2026
\nL\u2019artiste joue l\u00e0 avec les codes traditionnels du tableau en lui conf\u00e9rant un
\nvolume, en transformant le support passif qu\u2019est la toile en mati\u00e8re dynamique.
\nMais \u00e0 travers ce choix, se fait jour \u00e9galement un d\u00e9sir de conf\u00e9rer une
\ndimension sensorielle et tactile \u00e0 ces \u0153uvres. Comme si ce dont il \u00e9tait avant
\ntout question ici, c\u2019\u00e9tait de cette autre forme de tissu qu\u2019est la peau.<\/span><\/p>\n

Et de fait, le th\u00e8me dominant que l\u2019on retrouve dans la majorit\u00e9 de ces \u0153uvres est
\nbien celui du corps. Mais pas n\u2019importe quel corps. La plupart du temps, la
\nrepr\u00e9sentation qui en est donn\u00e9e trouve sa source dans l\u2019imagerie m\u00e9dicale,
\nancienne ou moderne. Il s\u2019agit donc d\u2019un corps montr\u00e9 dans sa dimension
\nanatomique, organique. Les organes internes (c\u0153ur, poumons cerveau) sont comme
\nprojet\u00e9s de l\u2019int\u00e9rieur vers la surface de l\u2019\u0153uvre, qui n\u2019est plus simple
\nsupport, mais qui devient litt\u00e9ralement le corps m\u00eame de celle-ci. Autrement
\ndit, le motif dialogue avec son support en un mouvement de gonflement, de
\ndiastole et de systole, qui semble insuffler une respiration \u00e0 l\u2019\u0153uvre.<\/span><\/p>\n

Il existe ainsi, dans le travail de Sophie Papiau, un jeu d\u2019opposition constant,
\nune d\u00e9concertante dialectique entre le motif de fond pr\u00e9existant et le sujet
\npeint ou brod\u00e9. Et ce m\u00eame rapport de compl\u00e9mentarit\u00e9 conflictuelle se retrouve
\n\u00e9galement sur toute une s\u00e9rie d\u2019autres plans : entre le dur et le mou,
\nentre le plat et le volume, entre la douceur du support et la crudit\u00e9 du motif
\nrepr\u00e9sent\u00e9 \u2013 parce que normalement invisible \u2013, entre l\u2019int\u00e9riorit\u00e9 et
\nl\u2019ext\u00e9riorit\u00e9. <\/span><\/p>\n

Murielle Durant-Garnier \/ Patrice Oliete Losczos<\/p>\n

 <\/p>\n

FRAMING THE INTIMATE<\/p>\n

The easiest way to approach the work of Sophie Papiau is to highlight the special relationship she has with fabric. The fabric she uses is manipulated into diverse and surprising forms: pillows, soft sculptures, paintings with embedded swelling, textiles … The artist plays with the traditional codes of painting, giving them volume and transforming the passive support of canvas into a dynamic material. Through this choice emerges a desire to confer a sensory and tactile dimension to these works. The question then becomes, is the foremost issue here another form of tissue, the skin?<\/p>\n

And in fact, the dominant theme found in the majority of these works is that of the body. But not just any body. Most of the time, the representation of the body originates from medical imagery, ancient or modern. Thus, the body is shown in an organic anatomical dimension. Internal organs ( heart, lungs, brain ) appear to be projected from the interior out to the surface, the fabric being not simply a physical support for the work, but literally the body of it. In other words, the imagery dialogues with the fabric, moving, swelling, from diastole to systole, which seems to breathe life into the work.<\/p>\n

There is also, in the work of Sophie Papiau , a constant set of oppositions, a disconcerting dialectic between the existing background pattern and the painted or embroidered image. And this same conflictual complementarity is also found in a variety of other ways: between the hard and the soft, between the flat and the volume, between the softness of the support and the rawness of the represented – because they are normally invisible – between interiority and exteriority.<\/p>\n

Murielle Durand-G \/ Patrice Oliete Loscos<\/p>\n

Translated from the French by Heather Lyon<\/p>\n

 <\/p>\n

\u79c1\u7684\u306a\u6a2a\u7cf8\uff08\u5f15\u7528\u6587\uff09<\/p>\n

\u30bd\u30d5\u30a3\u30fc\u30d1\u30d4\u30aa\u306e\u4f5c\u54c1\u306f\u81a8\u3089\u3093\u3060\u30c6\u30af\u30b9\u30bf\u30a4\u30eb\u304c\u306f\u3044\u308a\u3053\u3093\u3060\u5e03\u306a\u3069\u3092\u3082\u3061\u3044\u3066\u6795\u3001\u67d4\u8edf\u306a\u5f6b\u523b\u306a\u3069\u591a\u69d8\u304b\u3064\u9a5a\u304d\u3092\u3082\u3063\u305f\u5f62\u3067\u8868\u73fe\u3055\u308c\u308b\u3002\u76ae\u819a\u3068\u3044\u3046\u5e03\u304c\u3061\u304c\u3063\u305f\u5f62\u3067\u8868\u73fe\u3055\u308c\u308b\u306e\u3067\u3042\u308b\u3002\u5f93\u6765\u306e\u7d75\u753b\u4f5c\u54c1\u3092\u5e03\u3068\u3044\u3046\u53d7\u52d5\u7684\u306a\u6750\u6599\u3092\u3082\u3063\u3066\u7acb\u4f53\u7684\u306a\u3082\u306e\u306b\u5909\u5316\u3055\u305b\u308b\u3002\u4f5c\u54c1\u306b\u306f\u89e6\u611f\u6027\u3068\u611f\u899a\u6027\u304c\u3046\u307e\u308c\u308b\u3002<\/p>\n

Translated by Yoko Horameda<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

LA TRAME DE L\u2019INTIME La fa\u00e7on la plus simple d\u2019approcher le travail de Sophie Papiau consiste \u00e0 souligner le rapport privil\u00e9gi\u00e9 qu\u2019il entretient avec le tissu. Ce dernier s\u2019y voit d\u00e9clin\u00e9 sous les formes les plus diverses et les plus surprenantes : oreillers, sculptures molles, toiles incrust\u00e9es d\u2019intumescences textiles\u2026 L\u2019artiste joue l\u00e0 avec les codes traditionnels du tableau en lui conf\u00e9rant un volume, en transformant le support passif qu\u2019est la.. Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":47,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/pages\/129"}],"collection":[{"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/comments?post=129"}],"version-history":[{"count":10,"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/pages\/129\/revisions"}],"predecessor-version":[{"id":646,"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/pages\/129\/revisions\/646"}],"up":[{"embeddable":true,"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/pages\/47"}],"wp:attachment":[{"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/media?parent=129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}