{"id":1207,"date":"2022-12-14T14:41:54","date_gmt":"2022-12-14T13:41:54","guid":{"rendered":"https:\/\/sophiepapiau.fr\/wordpress\/?page_id=1207"},"modified":"2022-12-14T16:29:08","modified_gmt":"2022-12-14T15:29:08","slug":"pink-forest","status":"publish","type":"page","link":"https:\/\/sophiepapiau.fr\/wordpress\/textes\/pink-forest\/","title":{"rendered":"Pink forest \/ Fr \/eng"},"content":{"rendered":"\n

Mutatis mutandis<\/strong><\/p>\n\n\n\n

Aaaaah! la For\u00eat, c’est si joli, solide et bien pratique:<\/p>\n\n\n\n

-pour y m\u00e9diter son petit Beaudelaire <\/strong><\/em>illustr\u00e9 : \u00a0\u00bb la Nature est un temple o\u00f9 de vivants piliers etc.\u00a0\u00bb<\/p>\n\n\n\n

-pour y balader tout ce qui s’agite: chaperons-rouges, chasseurs-cueilleurs, bip\u00e8des, canid\u00e9s et v\u00e9hicules divers…<\/p>\n\n\n\n

-pour y puiser du bon poumon (le deuxi\u00e8me \u00e9tant l’Oc\u00e9an)<\/p>\n\n\n\n

-pour y tailler de scie de l\u00e0 son lot de Capital…<\/p>\n\n\n\n

Et puis, la plupart du temps, la for\u00eat c’est vert, de ce vert qu’on esp\u00e8re ou qu’on aspire. A chacun sans doute sa<\/em> for\u00eat…<\/em><\/p>\n\n\n\n

Mais \u00e0 l’intersection de la Science, de l’Ecologie et de l’Ontologie, la For\u00eat, au sens de concept, est avant tout un processus communicant, complexe et fragile, un chaos organis\u00e9 et vivant, puissant et vuln\u00e9rable, un micro et macrobiote ramifi\u00e9 \u00e0 la fois dans sa verticalit\u00e9 et son horizontalit\u00e9. Cette quasi \u00ab\u00a0arche<\/em> d’alliances\u00a0\u00bb<\/em> constitue le coeur m\u00eame de la d\u00e9marche et de la r\u00e9flexion artistique de Sophie Papiau, au travers d’une oeuvre monumentale et \u00e9volutive: la bien nomm\u00e9e \u00ab\u00a0<\/strong>Pink Forest<\/strong><\/em>\u00ab\u00a0<\/strong>.<\/p>\n\n\n\n

En proc\u00e9dant d’embl\u00e9e \u00e0 une double inversion:<\/p>\n\n\n\n

– l’une chromatique ( du vert au rose)<\/p>\n\n\n\n

– l’autre plastique (du \u00ab\u00a0solide\u00a0\u00bb \u00e0 la l\u00e9g\u00e8ret\u00e9 par l’usage du textile)<\/p>\n\n\n\n

l’artiste fait plus que confronter et interroger notre relation au sensible: elle rend \u00e0 la for\u00eat son statut cr\u00e9ateur et charnel, inscrit dans la patience des \u00e2ges et des m\u00e9tamorphoses. Pink Forest<\/strong><\/em> est aussi une oeuvre ludique de biodiversit\u00e9s: les volumes sont graciles et dodus, \u00e9voquant un \u00e9difice tant suspendu que terrestre par un jeu de formes-peaux translucides, d’exosquelettes vibrants, de racines aux pieds de porcelaine, de lianes de fils color\u00e9s…Mues ou membranes ? Reliques, \u00e9corces vivantes, voyageurs immobiles qui parlent dans l’espace ?<\/p>\n\n\n\n

Nous sommes soudain invit\u00e9s \u00e0 interagir, \u00e0 nous \u00ab\u00a0enforester\u00a0\u00bb1<\/strong><\/em>, voire \u00e0 danser le tangible  et la mouvance de chairs-matrices, sans plus discerner le dehors du dedans.<\/p>\n\n\n\n

Mati\u00e8re po\u00e9tique et lieu de plasticit\u00e9s, la For\u00eat devient avec Sophie Papiau, le propos artistique d’une re-conciliation n\u00e9cessaire, d’autant plus pertinente qu’elle  questionne en chacun de nous  sa part d’Amazonie. Il s’agit en quelque sorte d’augurer l’avenir d’une \u00ab\u00a0transhumanescence\u00a0\u00bb  <\/strong><\/em>en pensant,  \u00e0 la mani\u00e8re d’un  Marcel Duchamp, que Rrose S\u00e9lavy.<\/p>\n\n\n\n

Chantal Degardin. Ethno-artiste<\/p>\n\n\n\n

1 \u00ab\u00a0S’enforester. Mythologies et politiques de la for\u00eat d’Europe\u00a0\u00bb. Andrea Olga Mantovani et Baptiste Morizot. Ed.D’une rive \u00e0 l’autre. 2022.<\/em><\/p>\n\n\n\n

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Mutatis mutandis<\/strong><\/p>\n\n\n\n

Weeelll…The Forest, it’s so nice, strong and kindly useful:<\/p>\n\n\n\n

-to meditate one’s little illustrated Beaudelaire<\/strong><\/em>: \u00a0\u00bb the Nature is a Temple in which living pillars…\u00a0\u00bb<\/p>\n\n\n\n

-to stroll everything’s moving: red riding hood, hunter gatherers, various bipeds,canines and vehicles…<\/p>\n\n\n\n

-to draw in good lung ( the second being the Ocean)<\/p>\n\n\n\n

-to cut from saw and there one’s batch of capital.<\/p>\n\n\n\n

And then, most of the time, forest is green, made of that green we hope or we breathe in. To everyone its forest.<\/strong><\/em><\/p>\n\n\n\n

But at the intersection of Science, Ecology and Ontology, the Forest , in sense of a concept, is first of all, a communicative process, complex and delicate, an organized and living chaos, powerful and vulnerable,a micro and macro-biota both branched in its verticality and its horizontality.<\/p>\n\n\n\n

That nearly \u00ab\u00a0ark of covenants\u00a0\u00bb<\/strong><\/em> constitutes the very heart of the artistic demarch and reflexion of Sophie Papiau, within a monumental evolutive oeuvre: the well named \u00ab\u00a0Pink Forest<\/strong><\/em>\u00ab\u00a0.<\/p>\n\n\n\n

Proceeding right away in a double inversion:<\/p>\n\n\n\n

one chromatic (from green to pink)<\/p>\n\n\n\n

one plastique (from \u00ab\u00a0solid\u00a0\u00bb to lightness by use of textile)<\/p>\n\n\n\n

the artist does more than confront and interpellate our relationship to sensible: she gives back to Forest its creative and fleshy power, written in patience of ages and metamorphosis. Pink Forest  <\/strong><\/em>is also a playful oeuvre made of  bio-diversities: volumes are slender and plump, evocating a  suspended as terrestrial building, within a game of translucid skinny forms, vibrant exoskeletons, porcelain feet roots, coloured threads lianas… Sloughings or membrans? Relics, living barks, motionless travelers talking in the space? We are suddenly invited to interact, to \u00ab\u00a0inforest\u00a0\u00bb1, <\/strong><\/em>and even to dance the palpable and the movement of fleshes-matrices, without discerning outside from inside.<\/p>\n\n\n\n

As a poetic and plasticities place , the Forest becomes with Sophie Papiau, the artistic purpose of a necessary re- conciliation, as much more pertinent that it questions one’s part of Amazonia. It is the matter for foreseeing the future of a \u00ab\u00a0transhumanescence<\/strong><\/em>\u00a0\u00bb thinking  as did Marcel Duchamp that Rrose S\u00e9lavy.<\/p>\n\n\n\n

Chantal Degardin. Ethno-artiste<\/p>\n","protected":false},"excerpt":{"rendered":"

Mutatis mutandis Aaaaah! la For\u00eat, c’est si joli, solide et bien pratique: -pour y m\u00e9diter son petit Beaudelaire illustr\u00e9 : \u00a0\u00bb la Nature est un temple o\u00f9 de vivants piliers etc.\u00a0\u00bb -pour y balader tout ce qui s’agite: chaperons-rouges, chasseurs-cueilleurs, bip\u00e8des, canid\u00e9s et v\u00e9hicules divers… -pour y puiser du bon poumon (le deuxi\u00e8me \u00e9tant l’Oc\u00e9an) -pour y tailler de scie de l\u00e0 son lot de Capital… Et puis, la plupart.. Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":47,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/pages\/1207"}],"collection":[{"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/comments?post=1207"}],"version-history":[{"count":3,"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/pages\/1207\/revisions"}],"predecessor-version":[{"id":1224,"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/pages\/1207\/revisions\/1224"}],"up":[{"embeddable":true,"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/pages\/47"}],"wp:attachment":[{"href":"https:\/\/sophiepapiau.fr\/wordpress\/wp-json\/wp\/v2\/media?parent=1207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}